Histories are woven, knotted, and impossible to disentangle. This is especially true when working through the recent past with linked threads to the present. Moving through Gisèle’s clothing and photographic archive, Turner reflects on the epistemology of the closet, the pitfalls of taxonomical fervour, and the complexity of entangled histories.
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Corona Chronicles: when life became a (gif)t
loop during the Covid-19 lockdown. The project is a meditation on routines, and peculiarities of our previously known dailies interrupted. With animations done by Cesare Davolio, script by Renée Turner, and music by Eliot Davolio; in other words, a family endeavor, we reflect on a moment when life was no longer taken for granted, but instead became a (gif)t.
Read MorePublished in Daisyworld Magazine
‘To Sanne’ is a short text featured in Daisyworld Magazine, a seasonal art publication by Zazie Stevens. Originally, it was written on an assessment form and is an attempt to understand evaluation as an act of care rather than simply grading.
Read MoreFault Lines: KABK Research Symposium 2019
This one-day symposium, presented by the KABK Design Lectorate, features projects being developed through the KABK Research Group 2019, with an emphasis on practice-led research. Art and design research methods to be explored include: activism, collaboration, collective making, corresponding, diagramming, drawing, enactment, filmmaking, framing, juxtaposition, letter-writing, mapping, movement, notation, pedagogy, performance, re-archiving, re-narration, salvaging, speculation, translation, visual analysis, zooming in, and more.
Read MoreReflections on the 15th ELIA Biennial Conference
From November 21st through the 24th, the Willem de Kooning Academy and Codarts hosted the 15th ELIA Biennial Conference in Rotterdam. Two years in the planning, we welcomed over 460 delegates from art academies across the world. The conference titled Resilience and the City: Art, Education & Urbanism explored four wide-ranging themes: Shifting Centres, Shifting Margins; Art and Social Cohesion; Art and Economy and Art and Innovation.
Read MoreEuropean Academy of Participation: Cooking & Conviviality
As a part of the European Academy of Participation hosted at Herengracht 401 a group formed to take care of the very simple and practical task of preparing lunch and dinner for all those who attended. While chopping, stewing, and stirring, certain thematic trajectories intuitively emerged and were explored: Limits as possibilities Cultures of cooking…
Read MoreSetting the Interconnected Table
Networks of people, things, and places don’t emerge from thin air. They are choreographed, staged, plotted, and planned. This workshop, within the context of The Autonomous Fabric research at the Willem de Kooning Academy, explored the table as a scene. It looked at the ritual of eating together as a catalyst for exchange. Working with…
Read MoreELIA Biennial Conference selected presentations from the Thematic Mobile Sessions
While this publication by no means represents the sum of the conference, which included performances, keynote speakers and panels, it nonetheless offers an impression of the Thematic Mobile Sessions which took place at different venues across the city.
Read MorePresentation at Het Nieuwe Instituut: Speculative Archives
Moving through The Warp and Weft of Memory, an online archive of artist Gisèle van der Gracht’s closet, Renée Turner and Cristina Cochior will be discussing the porous border between enumeration and narration. Understanding the database as a form of writing, they will read through elements of the site and recount the making of the archive. Key to their approach is the language of weaving and the use of the Semantic MediaWiki to create a narrative tapestry.
Read MoreInterview by Amy Pickles with Renée Turner for the Rotterdam Arts & Sciences Lab
You know, one of the things I like about writing in a digital environment is that there is no master narrative, only tentative propositions, networked connections that can be followed or ignored. Maybe as a form, it suits my own inability to prioritise and make decisions and my desire to circle around things without really landing on a single point or conclusion.
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