A silent listener to our streaming confessions, the ambient social network envelops itself around our rituals, banalities and routines and traces the specificities of our dataset, or rather our shadowy data-double.
Read MoreRenee
Mappamundi
Mappamundi assembled artists who, over the past 40 years, have worked on maps and who have questioned cartographical representation in ways to better move or provoke us.
Read MoreView by Thread
View By Thread took place at STUK, Leuven, Belgium. The solo exhibition showcased De Geuzen’s work from 1996 to 2010. Mixing printed matter, textiles, and digital pieces, the exhibition wove together different thematic threads running throughout their practice.
Read MoreThe Global Anxiety Monitor @ STUK
In On Gaps and Silent Documents international artists question the absence of documents and data in archives, data banks and memory. What is missing? Has it never been there or has it been removed? Does available information exist that is not looked at, read or used? Archives and data banks are primarily determined by these gaps and silent documents. As Sven Spieker notes, “Archives are less concerned with memory than with the necessity to discard, erase, eliminate.”
Read MoreDIWO @ HTTP Gallery
Now at HTTP Gallery: Do It With Others (DIWO) at the Dark Mountain A Mail-Art project across physical and digital networks I have a mix within the mix and it can be found online here. Although the experience was too short, I thoroughly enjoyed doing it with others!
Read MoreArchived: Feed to Read
At the event Network as a Space and Medium for Collaborative Interdisciplinary Art Practice (Bergen, NO), Feed to Read was collectively written with the audience. Click below to see the archived Feed to Read.
Read MoreKOLABO & my workshop on networked narratives
For my workshop, I wanted to set the challenge of creating a networked character and story. Having only two days, we invented Me Genesis, an avatar in Second Life.
Read MoreFeed: an evening of networked image and slogan feeding
Performed between ten and midnight on July 09, 2009
Feed: a project by De Geuzen: a foundation for multi-visual research (www.geuzen.org)
Feed was broadcast from the windows of the CBK, a centre for contemporary art in Rotterdam. Over the course of the evening people uploaded images and slogans from near and remote locations. The collection was multi-authored and produced on the fly.
Read MoreFemale Icon Impersonators – Drag & Tag!
De Geuzen Publication: Through a public call for submissions, images were uploaded on Flickr in 2007 under the tag “Me_Like_Her” and eventually were collected in a print on demand book. Your browser does not support the video tag.
Read MoreAn exercise in live-writing
I met with a group of textile students at the Rietveld Academy in Amsterdam. Sitting around a small table, I read from a selection of finished and unfinished online pieces. After the talk, we did a live-writing exercise. I dumped several bags of printed words on the floor and placed two sets of alphabet stamps…
Read MoreThe Novelty Is Gone, and That’s the Perfect Place to Begin
The Novelty Is Gone, and That’s the Perfect Place to Begin. (2008) Biennials have lost their novelty. Does that mean Bergen shouldn’t host one? On the contrary, this is perhaps the perfect time to set a biennial in motion. As the 53rd Venice Biennale rolls into action, it has spawned a legion of other biennials.…
Read MorePublication Launch of Fucking Good Art’s Countryside Issue
Fucking Good Art also known as FGA held a launch event at WORM for a small publication featuring various artists who have gardens in the city of Rotterdam – our volkstuin at SNV was featured when it was entirely flooded due to weeks of heavy rain. By the way, take a good look at the…
Read MoreHomage to an Unknown Woman
For this installation at the Tongerlohuys in Roosendaal, De Geuzen gathered thirteen portraits of unknown women. Important enough to be painted but not significant enough to be remembered, the installation aimed at giving these women a sense of solidarity in their loss of name. Beginning with two portraits from the Tongerlohuys collection, other portraits were…
Read MoreFripperies and Trimmings: Meaning Arises Through Use
Taking place at the Impact Festival in Utrecht (2003), the idea for this De Geuzen project started when a well-known president declared an infamous divide: “YOU ARE EITHER WITH US OR AGAINST US” This made us wonder about how such polemics could be cracked apart and possibly subverted to create more flexible alliances. We were…
Read MoreSusan Kealey: Ordinary Marvel
The Phenomenology of Licorice and Other Dutch Myths, Renée Turner, Ordinary Marvel, YYZ Books, 2003 Susan Kealey was a friend. In the early nineties we were at the Rijksakademie in Amsterdam and both grappled with being displaced North Americans in the heart of the Lowlands. Sometimes we coped with laughter and other times we had…
Read MoreDe Geuzen Uniform: Frivolity and Folly
Made in 2001, Frivolity and Folly was the second De Geuzen Uniform and was originally exhibited at the Bienal de Valencia (Spain.) Tailored to the idiosyncrasies of our very different body shapes, the De Geuzen uniforms are a collection of handmade garments playing with female identity. Frivolity and Folly is the most elaborate of the…
Read MoreOur Image Is Our Own
De Geuzen made this work in 1999 within the context of “Midnight Walkers and City Sleepers “, an exhibition in the Redlight district of Amsterdam. Most of the time the area is defined by the sex industry, which is of course the most visible. While we didn’t want to reiterate certain clichés, we also didn’t…
Read MorePaper Airplane Collection: Analog Messages in a Wired World
These are a few paper airplanes from the De Geuzen archive. At the time, it was an exercise in tactical media, a proposal for sending analog messages in a wired world.
Read MoreMichel de Certeau and the practice of everyday life, dinner with performative lectures
This is one of the earliest (1999) projects in my practice where eating a meal together was central to collective research. De Geuzen, Riek Sijbring, Femke Snelting, and I programmed and designed a performative dinner accompanied by different textual table coverings and take-home quotes related to the work of Michel de Certeau. In this respect,…
Read MoreLibraries of Shared Interest & the Mobile Library (1999 – 2010)
The Walk-in Reader was De Geuzen’s first library of shared interests or temporary archive. The space was conceived as an open public resource and a place to explore various processes of urban transformation taking place in the Netherlands. Texts, videos, urls, and other materials were collected around the themes, Mapping, Moments of Convergence, Envisioning Cultural Paradigms Across Disciplinary Boundaries and Shifting Economies.
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