Interview by Amy Pickles with Renée Turner for the Rotterdam Arts & Sciences Lab

You know, one of the things I like about writing in a digital environment is that there is no master narrative, only tentative propositions, networked connections that can be followed or ignored. Maybe as a form, it suits my own inability to prioritise and make decisions and my desire to circle around things without really landing on a single point or conclusion.

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The Female Perspective

The Female Perspective was the annual program curated by Nina Folkersma for Castrum Peregrini from 2017-2018.  The publication featuring highlights was designed by Roosje Klap and Pauline Le Pape – who collaborate under the name Atelier Roosje Klap. Next to my own work,  the publication contains contributions by Lietje Bauwens, Adeola Enigbokan, Marjan Schwegman, Christel Vesters, Mieke Bal, Katerina Gregos, Patricia Kaersenhout,…

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The House of Gisèle

“To come back to the title of the work, The Warp and Weft of Memory – this writing feels like a kind of weaving, an attempt to bring objects, experiences, and travels together. My question at this moment is, were these notes to herself, just simple reminders, or were they written for someone like me, an outsider who might decipher or interpret them later?”

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Parole # 2: Phonetic Skin / Phonetische Haut, edited by Annette Stahmer

Received in the post yesterday, Parole # 2: Phonetic Skin / Phonetische Haut, edited by Annette Stahmer.  It is simply beautiful! Above: inserts and extras including Wearable Resistance by De Geuzen This issue explores the relationship of skin to language. Contributors include Mladen Dolar (Professor of Philosophy, Ljubljana), Naomi Segal (Professor of German and Romance…

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