Situationer Workbook/Situationer Cookbook, a transformative pedagogy reader initiated by Michelle Teran and published by Research Center WdKA and Publication Studio Rotterdam publishers. Bringing together experimental practices of learning otherwise, my contribution is a letter to Michelle about the pedagogies of my kitchen.
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‘To Sanne’ is a short text featured in Daisyworld Magazine, a seasonal art publication by Zazie Stevens. Originally, it was written on an assessment form and is an attempt to understand evaluation as an act of care rather than simply grading.
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While this publication by no means represents the sum of the conference, which included performances, keynote speakers and panels, it nonetheless offers an impression of the Thematic Mobile Sessions which took place at different venues across the city.
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You know, one of the things I like about writing in a digital environment is that there is no master narrative, only tentative propositions, networked connections that can be followed or ignored. Maybe as a form, it suits my own inability to prioritise and make decisions and my desire to circle around things without really landing on a single point or conclusion.
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Dieuwertje Hehewerth: This letter-writing, paired with the focus on clothes, makes the research focus on, and work through, ephemeral forms. They are objects that have a transitory quality – a quality of carrying and covering – of existing as an in between. I’m curious if you see these relations? And more directly in relation to…
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There are other stains too. Her sweat has turned brown with time and its acid has etched itself into her white cotton shirts and the lining of dresses.
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The Female Perspective was the annual program curated by Nina Folkersma for Castrum Peregrini from 2017-2018. The publication featuring highlights was designed by Roosje Klap and Pauline Le Pape – who collaborate under the name Atelier Roosje Klap.
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My question at this moment is, were these notes to herself, just simple reminders, or were they written for someone like me, an outsider who might decipher or interpret them later?”
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This issue explores the relationship of skin to language.
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A silent listener to our streaming confessions, the ambient social network envelops itself around our rituals, banalities and routines and traces the specificities of our dataset, or rather our shadowy data-double.
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