‘To Sanne’ is a short text featured in Daisyworld Magazine, a seasonal art publication by Zazie Stevens. Originally, it was written on an assessment form and is an attempt to understand evaluation as an act of care rather than simply grading.
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As a follow-up to 15th ELIA Biennial Conference selected presentations from the Thematic Mobile Sessions were published in 2019. It was an honour to be a part of the editorial team with Andrea Braidt and Ana Garcia Lopez. “Reflecting upon the diversity, urgency, and vibrancy of these contributions, and being aware of the ongoing need…
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You know, one of the things I like about writing in a digital environment is that there is no master narrative, only tentative propositions, networked connections that can be followed or ignored. Maybe as a form, it suits my own inability to prioritise and make decisions and my desire to circle around things without really landing on a single point or conclusion.
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Dieuwertje Hehewerth: This letter-writing, paired with the focus on clothes, makes the research focus on, and work through, ephemeral forms. They are objects that have a transitory quality – a quality of carrying and covering – of existing as an in between. I’m curious if you see these relations? And more directly in relation to…
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“There are other stains too. Her sweat has turned brown with time and its acid has etched itself into her white cotton shirts and the lining of dresses. Skin oil has darkened the fingers of leather gloves, and her idiosyncratic walk has shaped the heels of her shoes. Her clothes have been recording devices. “
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The Female Perspective was the annual program curated by Nina Folkersma for Castrum Peregrini from 2017-2018. The publication featuring highlights was designed by Roosje Klap and Pauline Le Pape – who collaborate under the name Atelier Roosje Klap. Next to my own work, the publication contains contributions by Lietje Bauwens, Adeola Enigbokan, Marjan Schwegman, Christel Vesters, Mieke Bal, Katerina Gregos, Patricia Kaersenhout,…
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“To come back to the title of the work, The Warp and Weft of Memory – this writing feels like a kind of weaving, an attempt to bring objects, experiences, and travels together. My question at this moment is, were these notes to herself, just simple reminders, or were they written for someone like me, an outsider who might decipher or interpret them later?”
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Received in the post yesterday, Parole # 2: Phonetic Skin / Phonetische Haut, edited by Annette Stahmer. It is simply beautiful! Above: inserts and extras including Wearable Resistance by De Geuzen This issue explores the relationship of skin to language. Contributors include Mladen Dolar (Professor of Philosophy, Ljubljana), Naomi Segal (Professor of German and Romance…
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A silent listener to our streaming confessions, the ambient social network envelops itself around our rituals, banalities and routines and traces the specificities of our dataset, or rather our shadowy data-double. Crawling and scraping, it creates a portrait of not only who we are as individuals, but also our demographic character, status and potential future self.
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Mappamundi assembled artists who, over the past 40 years, have worked on maps and who have questioned cartographical representation in ways to better move or provoke us.
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