Self-publishing folks who were buzzing around the room and risograph machines (although not necessarily in the photos): Ben Schot, Simon Davies, Ewoud van Rijn and LemonMelon (aka: Marit Muenzberg), Fucking Good Art, Karin de Jong, Max Senden, and AND. Images were collected and produced on the fly…. And prints were hung on clothes lines against…
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Various Fires in PublishingAt Witte de With, Center for Contemporary Art15th September – 16th September 2012Organized by Printroom and Witte de With, Center for Contemporary Art, Various Fires in Publishing will offer a mix of DIY printing, hands-on activities and critical debate on different forms of self-publishing. Next to seeing Printroom’s risographs in action, I’m…
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Along with co-editors Carolyn Guertin, Rita Raley and Allison Carruth, I’ve organized a conference entitled Prototyping Futures / Occupying the Present. Prototyping Futures / Occupying the Present, is a three-day conference with workshops initiated by the Piet Zwart Institute. The event gathers scholars from diverse disciplines to explore strategies of resistance, intervention, and critical production…
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This issue explores the relationship of skin to language.
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Saturday, Dec. 10, 2011: Aesthetic strategies as critical interventions. Works presented by JR Carpenter, Renée Turner, Andreas Jacobs and Simon Biggs. Panel hosted by Rita Raley. Location: Perdu Theater, Kloveniersburgwal 86, Amsterdam. I talked briefly about De Geuzen’s work the Global Anxiety Monitor, which ran from 2007 until October 2011. Operating through the browser, the…
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My talk at the ELMCIP workshop on electronic literature and pedagogy, “Feral Disciplines & Hybrid Codes”
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Sniff, Scrape, Crawl… Two Consecutive Panels Looking at Privacy and Surveillance Presented at ISEA (International Symposium on Electronic Arts) Istanbul, Turkey 2011 Our society is one not of spectacle, but of surveillance… Michel Foucault, Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan (New York, 1979), p. 217 We are living in a…
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A silent listener to our streaming confessions, the ambient social network envelops itself around our rituals, banalities and routines and traces the specificities of our dataset, or rather our shadowy data-double.
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Mappamundi assembled artists who, over the past 40 years, have worked on maps and who have questioned cartographical representation in ways to better move or provoke us.
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View By Thread took place at STUK, Leuven, Belgium. The solo exhibition showcased De Geuzen’s work from 1996 to 2010. Mixing printed matter, textiles, and digital pieces, the exhibition wove together different thematic threads running throughout their practice.
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