Self-publishing folks who were buzzing around the room and risograph machines (although not necessarily in the photos): Ben Schot, Simon Davies, Ewoud van Rijn and LemonMelon (aka: Marit Muenzberg), Fucking Good Art, Karin de Jong, Max Senden, and AND. Images were collected and produced on the fly…. And prints were hung on clothes lines against…
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Various Fires in PublishingAt Witte de With, Center for Contemporary Art15th September – 16th September 2012Organized by Printroom and Witte de With, Center for Contemporary Art, Various Fires in Publishing will offer a mix of DIY printing, hands-on activities and critical debate on different forms of self-publishing. Next to seeing Printroom’s risographs in action, I’m…
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Along with co-editors Carolyn Guertin, Rita Raley and Allison Carruth, I’ve organized a conference entitled Prototyping Futures / Occupying the Present. Prototyping Futures / Occupying the Present, is a three-day conference with workshops initiated by the Piet Zwart Institute. The event gathers scholars from diverse disciplines to explore strategies of resistance, intervention, and critical production…
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This issue explores the relationship of skin to language.
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Saturday, Dec. 10, 2011: Aesthetic strategies as critical interventions. Works presented by JR Carpenter, Renée Turner, Andreas Jacobs and Simon Biggs. Panel hosted by Rita Raley. Location: Perdu Theater, Kloveniersburgwal 86, Amsterdam. I talked briefly about De Geuzen’s work the Global Anxiety Monitor, which ran from 2007 until October 2011. Operating through the browser, the…
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My talk at the ELMCIP workshop on electronic literature and pedagogy, “Feral Disciplines & Hybrid Codes”
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Sniff, Scrape, Crawl… Two Consecutive Panels Looking at Privacy and Surveillance Presented at ISEA (International Symposium on Electronic Arts) Istanbul, Turkey 2011 Our society is one not of spectacle, but of surveillance… Michel Foucault, Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan (New York, 1979), p. 217 We are living in a…
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A silent listener to our streaming confessions, the ambient social network envelops itself around our rituals, banalities and routines and traces the specificities of our dataset, or rather our shadowy data-double.
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Mappamundi assembled artists who, over the past 40 years, have worked on maps and who have questioned cartographical representation in ways to better move or provoke us.
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View By Thread took place at STUK, Leuven, Belgium. The solo exhibition showcased De Geuzen’s work from 1996 to 2010. Mixing printed matter, textiles, and digital pieces, the exhibition wove together different thematic threads running throughout their practice.
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In On Gaps and Silent Documents international artists question the absence of documents and data in archives, data banks and memory. What is missing? Has it never been there or has it been removed? Does available information exist that is not looked at, read or used? Archives and data banks are primarily determined by these gaps and silent documents. As Sven Spieker notes, “Archives are less concerned with memory than with the necessity to discard, erase, eliminate.”
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Now at HTTP Gallery: Do It With Others (DIWO) at the Dark Mountain A Mail-Art project across physical and digital networks I have a mix within the mix and it can be found online here. Although the experience was too short, I thoroughly enjoyed doing it with others!
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At the event Network as a Space and Medium for Collaborative Interdisciplinary Art Practice (Bergen, NO), Feed to Read was collectively written with the audience. Click below to see the archived Feed to Read.
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For my workshop, I wanted to set the challenge of creating a networked character and story. Having only two days, we invented Me Genesis, an avatar in Second Life.
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Performed between ten and midnight on July 09, 2009
Feed: a project by De Geuzen: a foundation for multi-visual research (www.geuzen.org)
Feed was broadcast from the windows of the CBK, a centre for contemporary art in Rotterdam. Over the course of the evening people uploaded images and slogans from near and remote locations. The collection was multi-authored and produced on the fly.
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De Geuzen Publication: Through a public call for submissions, images were uploaded on Flickr in 2007 under the tag “Me_Like_Her” and eventually were collected in a print on demand book. Your browser does not support the video tag.
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I met with a group of textile students at the Rietveld Academy in Amsterdam. Sitting around a small table, I read from a selection of finished and unfinished online pieces. After the talk, we did a live-writing exercise. I dumped several bags of printed words on the floor and placed two sets of alphabet stamps…
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The Novelty Is Gone, and That’s the Perfect Place to Begin. (2008) Biennials have lost their novelty. Does that mean Bergen shouldn’t host one? On the contrary, this is perhaps the perfect time to set a biennial in motion. As the 53rd Venice Biennale rolls into action, it has spawned a legion of other biennials.…
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Fucking Good Art also known as FGA held a launch event at WORM for a small publication featuring various artists who have gardens in the city of Rotterdam – our volkstuin at SNV was featured when it was entirely flooded due to weeks of heavy rain. By the way, take a good look at the…
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For this installation at the Tongerlohuys in Roosendaal, De Geuzen gathered thirteen portraits of unknown women. Important enough to be painted but not significant enough to be remembered, the installation aimed at giving these women a sense of solidarity in their loss of name. Beginning with two portraits from the Tongerlohuys collection, other portraits were…
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