Performed between ten and midnight on July 09, 2009
Feed: a project by De Geuzen: a foundation for multi-visual research (www.geuzen.org)
Feed was broadcast from the windows of the CBK, a centre for contemporary art in Rotterdam. Over the course of the evening people uploaded images and slogans from near and remote locations. The collection was multi-authored and produced on the fly.
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De Geuzen Publication: Through a public call for submissions, images were uploaded on Flickr in 2007 under the tag “Me_Like_Her” and eventually were collected in a print on demand book. Your browser does not support the video tag.
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I met with a group of textile students at the Rietveld Academy in Amsterdam. Sitting around a small table, I read from a selection of finished and unfinished online pieces. After the talk, we did a live-writing exercise. I dumped several bags of printed words on the floor and placed two sets of alphabet stamps…
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For this installation at the Tongerlohuys in Roosendaal, De Geuzen gathered thirteen portraits of unknown women. Important enough to be painted but not significant enough to be remembered, the installation aimed at giving these women a sense of solidarity in their loss of name. Beginning with two portraits from the Tongerlohuys collection, other portraits were…
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Taking place at the Impact Festival in Utrecht (2003), the idea for this De Geuzen project started when a well-known president declared an infamous divide: “YOU ARE EITHER WITH US OR AGAINST US” This made us wonder about how such polemics could be cracked apart and possibly subverted to create more flexible alliances. We were…
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Made in 2001, Frivolity and Folly was the second De Geuzen Uniform and was originally exhibited at the Bienal de Valencia (Spain.) Tailored to the idiosyncrasies of our very different body shapes, the De Geuzen uniforms are a collection of handmade garments playing with female identity. Frivolity and Folly is the most elaborate of the…
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De Geuzen made this work in 1999 within the context of “Midnight Walkers and City Sleepers “, an exhibition in the Redlight district of Amsterdam. Most of the time the area is defined by the sex industry, which is of course the most visible. While we didn’t want to reiterate certain clichés, we also didn’t…
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These are a few paper airplanes from the De Geuzen archive. At the time, it was an exercise in tactical media, a proposal for sending analog messages in a wired world.
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This is one of the earliest (1999) projects in my practice where eating a meal together was central to collective research. De Geuzen, Riek Sijbring, Femke Snelting, and I programmed and designed a performative dinner accompanied by different textual table coverings and take-home quotes related to the work of Michel de Certeau. In this respect,…
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The Walk-in Reader was De Geuzen’s first library of shared interests or temporary archive. The space was conceived as an open public resource and a place to explore various processes of urban transformation taking place in the Netherlands. Texts, videos, urls, and other materials were collected around the themes, Mapping, Moments of Convergence, Envisioning Cultural Paradigms Across Disciplinary Boundaries and Shifting Economies.
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