The Female Perspective was the annual program curated by Nina Folkersma for Castrum Peregrini from 2017-2018. The publication featuring highlights was designed by Roosje Klap and Pauline Le Pape – who collaborate under the name Atelier Roosje Klap.
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My question at this moment is, were these notes to herself, just simple reminders, or were they written for someone like me, an outsider who might decipher or interpret them later?”
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This issue explores the relationship of skin to language.
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A silent listener to our streaming confessions, the ambient social network envelops itself around our rituals, banalities and routines and traces the specificities of our dataset, or rather our shadowy data-double.
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Mappamundi assembled artists who, over the past 40 years, have worked on maps and who have questioned cartographical representation in ways to better move or provoke us.
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De Geuzen Publication: Through a public call for submissions, images were uploaded on Flickr in 2007 under the tag “Me_Like_Her” and eventually were collected in a print on demand book. Your browser does not support the video tag.
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The Novelty Is Gone, and That’s the Perfect Place to Begin. (2008) Biennials have lost their novelty. Does that mean Bergen shouldn’t host one? On the contrary, this is perhaps the perfect time to set a biennial in motion. As the 53rd Venice Biennale rolls into action, it has spawned a legion of other biennials.…
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Fucking Good Art also known as FGA held a launch event at WORM for a small publication featuring various artists who have gardens in the city of Rotterdam – our volkstuin at SNV was featured when it was entirely flooded due to weeks of heavy rain. By the way, take a good look at the…
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The Phenomenology of Licorice and Other Dutch Myths, Renée Turner, Ordinary Marvel, YYZ Books, 2003 Susan Kealey was a friend. In the early nineties we were at the Rijksakademie in Amsterdam and both grappled with being displaced North Americans in the heart of the Lowlands. Sometimes we coped with laughter and other times we had…
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This essay commissioned by the Witte de With, looks at the relation between art and theory. It was written in 1999. While still on the site, it is sold out. A Journey from Démodé to Displacement: Some Reflections on the Relation between Art and Theory small excerpt from the essay: I still believe the relation…
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