You know, one of the things I like about writing in a digital environment is that there is no master narrative, only tentative propositions, networked connections that can be followed or ignored. Maybe as a form, it suits my own inability to prioritise and make decisions and my desire to circle around things without really landing on a single point or conclusion.
Read MorePublications
Dieuwertje Hehewerth in conversation with Renée Turner for Pandemic
Dieuwertje Hehewerth: This letter-writing, paired with the focus on clothes, makes the research focus on, and work through, ephemeral forms. They are objects that have a transitory quality – a quality of carrying and covering – of existing as an in between. I’m curious if you see these relations? And more directly in relation to…
Read MoreThe Warp and Weft of Memory publication
There are other stains too. Her sweat has turned brown with time and its acid has etched itself into her white cotton shirts and the lining of dresses.
Read MoreThe Female Perspective
The Female Perspective was the annual program curated by Nina Folkersma for Castrum Peregrini from 2017-2018. The publication featuring highlights was designed by Roosje Klap and Pauline Le Pape – who collaborate under the name Atelier Roosje Klap.
Read MoreThe House of Gisèle
My question at this moment is, were these notes to herself, just simple reminders, or were they written for someone like me, an outsider who might decipher or interpret them later?”
Read MoreParole # 2: Phonetic Skin / Phonetische Haut, edited by Annette Stahmer
This issue explores the relationship of skin to language.
Read MoreSniff, Scrape, Crawl… {on privacy, surveillance and our shadowy data-double}
A silent listener to our streaming confessions, the ambient social network envelops itself around our rituals, banalities and routines and traces the specificities of our dataset, or rather our shadowy data-double.
Read MoreMappamundi
Mappamundi assembled artists who, over the past 40 years, have worked on maps and who have questioned cartographical representation in ways to better move or provoke us.
Read MoreFemale Icon Impersonators – Drag & Tag!
De Geuzen Publication: Through a public call for submissions, images were uploaded on Flickr in 2007 under the tag “Me_Like_Her” and eventually were collected in a print on demand book. Your browser does not support the video tag.
Read MoreThe Novelty Is Gone, and That’s the Perfect Place to Begin
The Novelty Is Gone, and That’s the Perfect Place to Begin. (2008) Biennials have lost their novelty. Does that mean Bergen shouldn’t host one? On the contrary, this is perhaps the perfect time to set a biennial in motion. As the 53rd Venice Biennale rolls into action, it has spawned a legion of other biennials.…
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