Combining writing, photographs of her clothes, videos, and illustrations, Renée Turner reflects on her direct encounter with Gisèle’s belongings, the intimacy of the closet, and how its content reflects her life, the history of the Netherlands before, during, and after the war, women and their clothing, the privileges of class, and the persona of the female artist. While each garment has its own story, it can be woven into a larger tapestry of other narratives, past and present.
Read MoreGisèle
The Warp and Weft of Memory: Out of the closet of Gisèle d’Ailly van Waterschoot van der Gracht
Her closet is packed but meticulously labelled and at times with narrative descriptions: “exotic slippers”, “these pants are good but too short” and “panty hose without feet – good for boots”. Her taxonomical reflections jump between German, Dutch, French and English. Moccasins fill several boxes.
Read More